You know those great sounding speakers you can buy at the local audio/video/computer store? Lots of bass and bright highs with a lot of color? So why don't recording studios use these speakers? Because they're totally inaccurate! If you measure the frequency response of the speaker's output, you'll get a graph that's something akin to the Swiss Alps. The best example I can use for relating Color Finesse to standard color correction/effect tools is by the following example. Instead of writing an article review explaining the merits of such a fine product Color Finesse is, I will otherwise try to convince you that the current crop of color correcting/effect tools available today are junk and without this tool, you're missing out on superior color correction quality available in software form. the Color Finesse plugin by Synthetic Aperture is by far the best color correction tool available for post production, save a DaVinci color suite costing a few hundred grand. WARNING! THIS ARTICLE REQUIRES HIGH RESOLUTION IMAGESįOR COMPARISON PURPOSES RESULTING IN LONG DOWNLOAD TIMES!
Color finesse windows how to#
The differences are shocking! Note: this is NOT an article on how to color correct (although some of the principles are explored in the article and there is much to be learned here). Article, photos and images © 2002, Marco Solorioĭon't have the hundreds of thousands of dollars for a DaVinci color-correction system? But you do have After Effects? In a jaw-dropping review of Synthetic Aperture's 'Color Finesse,' Marco Solorio shows how Color Finesse far surpasses the capabilities of standard color correction tools - as well as the error-prone realities of using standard color correction plug-ins.
0 kommentar(er)
